2023 BLUMHOUSE AND K PERIOD MEDIA'S SCREAMWRITING FELLOWSHIP

The program was established to provide support and mentorship to underrepresented emerging film and television writers aspiring to work in the horror genre. The immersive program’s participants were selected from an applicant pool that was by invitation in its first year. The participants were selected to further develop their scripts with the guidance and mentorship of accomplished filmmakers and executives. Sundance Institute’s Michelle Satter (Founding Senior Director, Sundance Institute’s Artist Programs) and Ilyse McKimmie (Deputy Director, Feature Film Program) collaborated with Blumhouse and K Period Media to build an immersive year-round program, including a week-long intensive for participants focused on developing their projects and honing their skills. Further, the Fellows will receive targeted mentorship and continued support throughout the year.

  • Credits
  • Projects

Karen Joseph Adcock

Creative Advisor

Simon Barrett

Creative Advisor

Dwight Caines

Creative Advisor

Jacob Chase

Creative Advisor

Mike Flanagan

Creative Advisor

Christine D'Souza Gelb

Creative Advisor

Alayna Glasthal

Creative Advisor

Josh Godfrey

Creative Advisor

Disney Hall

Creative Advisor

Walter Hamada

Creative Advisor

Cindy Holland

Creative Advisor

Ted Hope

Creative Advisor

Danielle Krudy

Creative Advisor

Chris Landon

Creative Advisor

Nick Lazo

Creative Advisor

Keith Levine

Creative Advisor

Damon Lindelof

Creative Advisor

Crystal Liu

Creative Advisor

Grant Moninger

Creative Advisor

Couper Samuelson

Creative Advisor

Rob Savage

Creative Advisor

Ryan Turek

Creative Advisor

Kevin Williamson

Creative Advisor
 
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]