Archives

1987 June Screenwriters Lab

The Screenwriters Lab is a five-day writer’s workshop that gives independent screenwriters the opportunity to work intensively on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking. One-on-one story sessions with Creative Advisors support, challenge, and inspire the screenwriters during this intensive process of script development.
Filmmakers typically begin their participation in the Feature Film Program with the January Screenwriters Lab, the only Lab for which there is an open application.

Credits [
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Kevin Anderson
Creative Advisor
Walter Bernstein
Creative Advisor
Sonia Braga
Creative Advisor
Jim Brooks
Creative Advisor
Ellen Chenoweth
Creative Advisor
Jim Clark
Creative Advisor
Olivia D'Abo
Creative Advisor
Carlin Glynn
Creative Advisor
Steve Goldstein
Creative Advisor
Robbie Greenberg
Creative Advisor
Ulu Grosbard
Creative Advisor
Randa Haines
Creative Advisor
Conrad Hall
Creative Advisor
Richard Jenkins
Creative Advisor
Ring Lardner Jr.
Creative Advisor
John Mahoney
Creative Advisor
Karl Malden
Creative Advisor
Babaloo Mandel
Creative Advisor
Lowell Ganz
Creative Advisor
Peter Masterson
Creative Advisor
Isabell Mong
Creative Advisor
Marcia Nasatir
Creative Advisor
Paul Newman
Creative Advisor
Frank Pierson
Creative Advisor
Sydney Pollack
Creative Advisor
Abe Polonsky
Creative Advisor
David Puttnam
Creative Advisor
Judy Rascoe
Creative Advisor
Robert Redford
Creative Advisor
Karel Reisz
Creative Advisor
Tom Rickman
Creative Advisor
Ralf Rosenblum
Creative Advisor
Chris Sievernich
Creative Advisor
Howard Smith
Creative Advisor
Bertrand Tavernier
Creative Advisor
Stanley Tucci
Creative Advisor
Bill Wittliff
Creative Advisor
 
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]