1993 June Screenwriters Lab

The Screenwriters Lab is a five-day writer’s workshop that gives independent screenwriters the opportunity to work intensively on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking. One-on-one story sessions with Creative Advisors support, challenge, and inspire the screenwriters during this intensive process of script development.
Filmmakers typically begin their participation in the Feature Film Program with the January Screenwriters Lab, the only Lab for which there is an open application.

  • Credits
  • Projects

Jon Amiel

Creative Advisor

Alice Arlen

Creative Advisor

Walter Bernstein

Creative Advisor

Bobby Bukowski

Creative Advisor

L.M. Kit Carson

Creative Advisor

Michael Caton-Jones

Creative Advisor

Joan Darling

Creative Advisor

Irene Diamond

Creative Advisor

Scott Frank

Creative Advisor

Richard Friedenberg

Creative Advisor

Lisa Fruchtman

Creative Advisor

Eva Gardos

Creative Advisor

Nelson George

Creative Advisor

Carlin Glynn

Creative Advisor

Todd Graff

Creative Advisor

James V. Hart

Creative Advisor

Arthur Hiller

Creative Advisor

Roland Joffe

Creative Advisor

Jeremy Kagan

Creative Advisor

Larry Konner

Creative Advisor

Richard LaGravenese

Creative Advisor

Stephen Lighthill

Creative Advisor

John S. Lyons

Creative Advisor

Robert Mandel

Creative Advisor

Debi Manwiller

Creative Advisor

Frank Oz

Creative Advisor

Frank Pierson

Creative Advisor

Steven Poster

Creative Advisor

Michael Ritchie

Creative Advisor

Amy Robinson

Creative Advisor

Murray Schisgal

Creative Advisor

John Schlesinger

Creative Advisor

Howard Smith

Creative Advisor

Joan Tewkesbury

Creative Advisor

Denzel Washington

Creative Advisor

Sam Waterston

Creative Advisor
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]