Institute History

Description

In the Brazil of 2027, where raves celebrate God’s love and drive-through spiritual-advice booths have become the norm, Joana holds her faith and relationship with God in the highest regard. She uses her job as a notary to carefully goad divorcing couples into reconsidering their split, and she takes comfort in an unusual religious collective that helps keep her own marriage in check. Though she and her husband have struggled to conceive, their efforts to produce a child will eventually bring Joana closer to God than she had ever expected.

Through an arresting visual style and vibrant, neospiritual imagery, award-winning director Gabriel Mascaro (Neon Bull, August Winds) draws us into a not-so-distant future where religion has seeped into the texture of daily life, laying bare the subtle hypocrisies that linger at its core. Mascaro comes to the Sundance Film Festival for the first time with this striking, unsettling, and deeply observant look at the gray area where sensuality, devotion, and faith intersect, with startling results.

— A.S.

Screening Details

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email archives@sundance.org