Institute History

  • 2020 Sundance Film Festival

Description

Kahlil Joseph’s mesmerizing news-creation machine is a soulful and rousing intervention into the “news-industrial complex” that is presently manifesting an epidemic in our society: news addiction powered by corporate digital platforms on networked devices. BLKNWS combines appropriated news and social media with originally produced anchored segments to create a continuously updated broadcast that is as much a news service as it is a portal to an elevated state of awareness.

“A fugitive newscast” that rejuvenates what news can be, BLKNWS aims to become a bona fide news network that can only be accessed at specific terrestrial sites. This groundbreaking exhibition will kick off at the Temple Theatre with a special extended presentation of BLKNWS and a discussion with the editors in chief. Afterwards, audiences can tune in to ambient continuous broadcasts of BLKNWS at Filmmaker Lodge, the Festival Co-op, The Box at The Ray, and other constantly proliferating sites around the Festival. It can also be seen as preshow newsreels in 11 art-house cinemas around the country.

BLKNWS newsreels will also run at 11 art-house cinemas around the country:
Belcourt Theatre—Nashville, Tennessee
Cinema Detroit—Detroit, Michigan
The Loft Cinema—Tucson, Arizona
Michigan Theater—Ann Arbor, Michigan
The Museum of Fine Arts, Houston—Houston, Texas
Nitehawk Cinema—Brooklyn, New York
Northwest Film Forum—Seattle, Washington
O Cinema—Miami, Florida
Parkway Theatre—Baltimore, Maryland
The State Theatre—Ann Arbor, Michigan
Texas Theatre—Dallas, Texas

— S.F.

Screening Details

  • Section: New Frontier Films
  • Film Type: Episodic
  • Country: U.S.A.
  • Run Time: 47 min.
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]