William Kunstler: Disturbing the Universe

Director: Sarah Kunstler, Emily Kunstler

Institute History

  • 2009 Sundance Film Festival

Description

One of the most infamous lawyers of the twentieth century, William Kunstler liked to shake things up. Filmmakers Emily and Sarah Kunstler explore their father’s life and legacy: from middle-class family man to celebrated radical activist to “the most hated lawyer in America.”

Kunstler’s resume is one for the storybooks. He fought for civil rights with Martin Luther King Jr. and catapulted to the world stage by defending the Chicago Eight. Soon Kunstler became the go-to guy for the radical left. When inmates rioted at Attica prison or Native Americans took on the federal government at Wounded Knee, they chose Kunstler as their lawyer. In the 1970s, when Emily and Sarah were growing up, their father transitioned away from civil-rights cases. Lured to the limelight of high-profile criminal cases, Kunstler represented accused rapists, terrorists, and Mafia bosses. Being on the unpopular side of the infamous Central Park jogger trial was perhaps the linchpin that triggered his fall from grace.

Was the real William Kunstler a hero or a villain? A defender of the defenseless or an egomaniac drawn to fame? Eschewing white-hat, black-hat simplicity, Emily and Sarah Kunstler share a provocative and deeply personal journey as they paint a complex portrait of a man whose life mirrors the battles that forever defined our history.

— David Courier

Screening Details

Credits

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]