Secondary Roles (Papeles Secundarios)

Director: Orlando Rojas
Screenwriters: Carlos Felipe, Ovaldo Sanchez

Institute History

  • 1991 Sundance Film Festival

Description

Using as a heated metaphor for contem-porary Cuba the backstage professional relationships, emotional involvements ad sexual entanglements of a proud theatrical troupe performing in central Havana, Orlando Rojas creates a drama in which passion, decay, surveillance and resilience all play major roles. In this, his second feature, Rojas displays a visual bravura that recalls the sophisticated look of some of the most popular contemporary films by "studio" directors who have graduated from the making of commercials, an industry not currently active in Cuba. Secondary Roles boasts a first-rate cast, including Luis Perez Nieto, as the politically suspect and vulnerable Mirtha, and Rosa Fomes, as the director of the theatre where, having received the Communist party's blessing, a celebrated tragedy of love is about to he set in a prerevolutionary brothel. Secondary Roles recently shared the Grand Prize at New York's Festival Latino with Colombia's Rodrigo D., which was shown at last year's Sundance Film Festival.

— Laurence Kardish

Screening Details

  • Section: Images of Mexico and Latin America
  • Film Type: Dramatic Feature
  • Country: Cuba
  • Run Time: 113 min.
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]