Institute History
Description
This fascinating, witty and inspiring look at a seminal figure in the development of American photography reveals the strength, flexibility and wisdom of Imogen Cunningham, who managed to be a full-time wife and mother while accomplishing extraordinarily creative work. The film features more than 250 of her original still photographs, ranging from romantic self-portraits taken in 1901 to her last studies—nudes and nonagenarians—created in the late seventies. Audiotaped interviews made when Cunningham was in her eighties supply insights into her personality, her values and the full span of her seventy-five-year career.
— Robert Hawk
Screening Details
Credits
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
If you have questions or comments, please email [email protected]