Film Music Program Fellows

iZLER Billy White Acre
Christian Amigo Christopher Anderson-Bazzoli
Tyler Bates Jonathan Bepler
Kurt Bestor Ryan Beveridge
Kathryn Bostic Tim Boyle
Steven Bramson Jane Brockman
Don Byron Will Calhoun
Arlen Card Ralph Carney
Kim Carroll Matt Cartsonis
Stephen Thomas Cavit Nancy Laird Chance
George Chave Billy Childs
Sherri Chung Barbara Cohen
Marco D'Ambrosio Terry Dame
Chanda Dancy Brent Michael Davids
Mark De Gli Antoni Suzanne B. Dean
Lawrence A. Dominello Courtney Von Drehle
Brad Fiedel Peter Fitzpatrick
Jeremy Flower Aiko Fukushima
Magda Giannikou Vincent Gillioz
Joseph Gonzales T. Griffin
Chris Guardino John Hancock
Lili Haydn Derrick Hodge
Shahzad Ali Ismaily Camara Kambon
Andreas Kapsalis Laura Karpman
Kristopher Karter Emilio Kauderer
Nancy Kewin Eva King
Ronit Kirchman Penka Kouneva
Mark Koval Viktor Krauss
Nick Laird-Clowes JJ Lee
Christopher Lord Gary Louris
Erik Lundborg Jessica Lurie
Frank Macchia Vivek Maddala
Karen Martin-Messner Roger Mason
Sasha Matson Rebeca Mauleon
Mark McKenzie Joel McNelly
Peter R. Melnick Raz Mesinai
Leon Milo Mick Muhlfriedel
Sean Murray Sujin Nam
David Newman Mark Orton
Nicholas Pavkovic Grant Lee Phillips
Greg Pliska David Poe
Zoe Poledouris Paola Prestini
Bradford Reed Ted Reichman
Craig Richey Stan Ridgway
Gyan Riley Arturo Rodriguez
Carlos Rodriquez Enis Rotthoff
Curtis Roush Kareem Roustom
Hahn Rowe Gingger Shankar
Rani Sharone Martin St-Pierre
Ned Sublette Otis Taylor
Kenya Tillery Christopher Tin
Ceiri Torjussen Jeff Toyne
Kristen Volgelsang Jack Eric Williams
Michael Wolff Lev "Ljova" Zhurbin
Robin Zimmermann
If you have questions, comments or see something missing, please email archives@sundance.org
As you search our Online Archives, please know that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn’t necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us from the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, records will not be updated and we can only amend an entry if a name is misspelled or it does not correctly reflect the original publication.