Illuminating the darkened world of film exhibition, this seminar will explore both “nuts and bolts” issues (how films are booked, typical deal structures) and the more speculative but still crucial factor of box-office success: which theaters are “right” for which films, how a theater gains a “personality,” and why an exhibitor would book a “hard sell” film and how he would make it “work.”
Credits
| David Guy Levy
Panelist | Neil A. Blatt
Panelist |
| Ralph Donnelly
Panelist | Eliot Wilhelm
Panelist |
| Tom Bernard
Panelist |
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
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