BMI Roundtable Discussion: Music and Film, The Creative Process

Sunday, January 21 2:00–4:00 p.m.

The Shop, 1167 Woodside Ave.


What goes into creating a successful film score? What makes for an effective director-composer relationship? In addition to Sundance Composer Lab advisors, we partner filmmakers with the composers they work with to answer these and other questions in this inspired roundtable discussion moderated by Doreen Ringer Ross, BMI vice president of film, TV and visual media relations. Participants will include director of the Sundance Institute Film Music Program Peter Golub, as well as composers and directors Jeff Beal and Lauren Greenfield (Generation Wealth), Sam Bisbee and Rudy Valdez (The Sentence), Kris Bowers and Reinaldo Marcus Green (Monsters and Men), Paul Cantelon and Susan Lacy (Jane Fonda in Five Acts), Miriam Cutler and Kimberly Reed (Dark Money), Laura Karpman (Half The Picture, Inventing Tomorrow), Heather McIntosh and Amy Scott (Hal), Dustin O’Halloran (Puzzle), Craig Wedren (A Futile & Stupid Gesture), and Jongnic Bontemps and Mel Jones (Leimert Park).
Presented by BMI

Credits

Doreen Ringer Ross
Panelist
Jeff Beal
Panelist
Lauren Greenfield
Panelist
Sam Bisbee
Panelist
Kris Bowers
Panelist
Reinaldo Marcus Green
Panelist
Paul Cantelon
Panelist
Susan Lacy
Panelist
Miriam Cutler
Panelist
Kimberly Reed
Panelist
Laura Karpman
Panelist
Heather McIntosh
Panelist
Amy Scott
Panelist
Dustin O'Halloran
Panelist
Craig Wedren
Panelist
Jongnic Bontemps
Panelist
Mel Jones
Panelist
Rudy Valdez
Panelist
Peter Golub
Panelist
 
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]