Dolby Institute Master Class - Sound Design & Music for Independent Films: A case study on Blindspotting

Imaginative sound design and great music can transport viewers into a film. Dolby Atmos creates a fully immersive three-dimensional aural experience and delivers even the subtlest sound with breathtaking clarity, detail and depth. The groundbreaking technology is already widely used on big-budget blockbusters, but how can it be used by independent filmmakers telling intimate stories?

On September 22, Blindspotting director Carlos López Estrada, recipient of the Dolby Family Sound Fellowship, will share how sound and music and Dolby Atmos helped him tell his story. Master Class moderated by Glenn Kiser, Director of Dolby Institute.

Credits

Carlos López Estrada
Panelist
Glenn Kiser
Panelist
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]