With each passing year, DV-based acquisition systems continue to rapidly permeate the domain of independent filmmaking and gain worldwide recognition in filmmaking. In addition, the last 12 months have seen the advent of 24-frame digital HD, adding a powerful new creative tool to the filmmakers arsenal. The result has been changes across the spectrum - from moviemaking to television, commercial, and documentary production. Digital filmmakers have new ways of looking at things; including new ways to shoot, new ways of working on set, and new ways to look at production budgets.
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
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