Video on Demand (a.k.a. V.O.D.)

V.O.D. seems poised to emerge and major studios, cable outlets, and start-ups are rushing in. Is there anything that filmmakers can do to shape this process, or are we left to the forces of technology and the marketplace? Will VCRs and DVDs become obsolete as studios and smaller distributors make libraries available on the Web and through television? What are the hurdles and what are the drawbacks? What is the current status of this technology, and where will we be a year from now?

Credits

Ken Rutkowski
Panelist
Curt Marvis
Panelist
Chris Dorr
Panelist
Rich Lappenbusch
Panelist
Chris Lutz
Panelist
 
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]