Pomegranates and Myrrh

Institute History

Description

Ramallah this decade. A free spirited woman dancer, Kamar, finds herself the wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying society's taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee, who has taken Kamar's role as the head choreographer. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. At the same time the family's legal case against the land confiscation faces one obstacle after another and the villagers from the nearby villages are unable to reach the family's olive groves, placing the annual harvest and consequently the family's livelihood in danger. And Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.

Credits

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]