2000 Composers Lab

The Sundance Institute Composers Lab, held each summer at the Sundance Resort, provides a group of talented composers with valuable first-hand experience composing for film. By pairing participating composers with emerging filmmakers supported by the Institute's Feature Film program as well as the Institute's Documentary Film Program, the Lab aims to enhance the role of music in independent film. With leading film composers, directors, music editors, and music supervisors serving as Creative Advisors, Composers Lab Fellows work closely with filmmakers in a supportive atmosphere designed to promote experimentation and collaboration.

  • Credits

Ryan Beveridge

Composer

Stephen Thomas Cavit

Composer

Eva King

Composer

Sean Murray

Composer

Zoe Poledouris

Composer

Otis Taylor

Composer

Terrence Blanchard

Creative Advisor

Carter Burwell

Creative Advisor

George S. Clinton

Creative Advisor

David Mansfield

Creative Advisor

Graeme Revell

Creative Advisor

Edward Shearmur

Creative Advisor

Christopher Young

Creative Advisor

Ulu Grosbard

Director

Kasi Lemmons

Director

Ian Calderon

Resource Advisor

Harlan Goodman

Resource Advisor

Rich Jacobellis

Resource Advisor

Derek Power

Resource Advisor

Ilene Kahn Power

Resource Advisor

Adam Smalley

Resource Advisor

Doreen Ringer Ross

Resource Advisor
  
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]