1990 June Screenwriters Lab

The Screenwriters Lab is a five-day writer’s workshop that gives independent screenwriters the opportunity to work intensively on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking. One-on-one story sessions with Creative Advisors support, challenge, and inspire the screenwriters during this intensive process of script development.
Filmmakers typically begin their participation in the Feature Film Program with the January Screenwriters Lab, the only Lab for which there is an open application.

  • Credits
  • Projects

Alice Arlen

Creative Advisor

Walter Bernstein

Creative Advisor

Paul Brickman

Creative Advisor

L.M. Kit Carson

Creative Advisor

Robert Caswell

Creative Advisor

Jim Clark

Creative Advisor

Irene Diamond

Creative Advisor

Gill Dennis

Creative Advisor

Fred Elmes

Creative Advisor

Naomi Foner

Creative Advisor

Nancy Frazen

Creative Advisor

Robbie Greenberg

Creative Advisor

Monte Hellman

Creative Advisor

Buck Henry

Creative Advisor

Ian Hunter

Creative Advisor

Lawrence Kasdan

Creative Advisor

Lynzee Klingman

Creative Advisor

Stanley Kramer

Creative Advisor

Ring Lardner Jr.

Creative Advisor

Richard Pearce

Creative Advisor

Nelson Pereira Dos Santos

Creative Advisor

Frank Pierson

Creative Advisor

Judy Rascoe

Creative Advisor

Robert Redford

Creative Advisor

Tom Rickman

Creative Advisor

Amy Robinson

Creative Advisor

Paul Ryan

Creative Advisor

David Shire

Creative Advisor

Howard Smith

Creative Advisor

Bill Wittliff

Creative Advisor

Death in the Gutter

Dreamland Court

Love is a Firearm

Love Letters

Loyalties

Revolutionary Road

Siggy

Spring '61

Suzi and the Mechanic

The American Whore

The Last of His Tribe (Ishi)

 
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]