1992 June Screenwriters Lab

The Screenwriters Lab is a five-day writer’s workshop that gives independent screenwriters the opportunity to work intensively on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking. One-on-one story sessions with Creative Advisors support, challenge, and inspire the screenwriters during this intensive process of script development.
Filmmakers typically begin their participation in the Feature Film Program with the January Screenwriters Lab, the only Lab for which there is an open application.

  • Credits
  • Projects

Alice Arlen

Creative Advisor

L.M. Kit Carson

Creative Advisor

Susan Cooper

Creative Advisor

Irene Diamond

Creative Advisor

Scott Frank

Creative Advisor

Lisa Fruchtman

Creative Advisor

Stephen Goldblatt

Creative Advisor

Randa Haines

Creative Advisor

James V. Hart

Creative Advisor

Arthur Hiller

Creative Advisor

Becky Johnston

Creative Advisor

Jeremy Kagan

Creative Advisor

Larry Konner

Creative Advisor

Ring Lardner Jr.

Creative Advisor

Elizabeth Leutstig

Creative Advisor

Kurt Luedtke

Creative Advisor

John S. Lyons

Creative Advisor

Paul Mazursky

Creative Advisor

Frank Pierson

Creative Advisor

Sydney Pollack

Creative Advisor

Judy Rascoe

Creative Advisor

Robert Redford

Creative Advisor

Tom Rickman

Creative Advisor

Matthew Robbins

Creative Advisor

Amy Robinson

Creative Advisor

Michael Schultz

Creative Advisor

Roger Simon

Creative Advisor

Claire Simpson

Creative Advisor

Howard Smith

Creative Advisor

Joan Tewkesbury

Creative Advisor

Sam Waterston

Creative Advisor

Hume Cronyn

Creative Advisor
 

Color of a Brisk and Leaping Day

Crow and Weasel

Envy

Fellow Countrymen

Grand Avenue (How I Got to Be a Queen)

The Red Sneaks

To Have and To Hold

  
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]