1994 June Screenwriters Lab

The Screenwriters Lab is a five-day writer’s workshop that gives independent screenwriters the opportunity to work intensively on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking. One-on-one story sessions with Creative Advisors support, challenge, and inspire the screenwriters during this intensive process of script development.
Filmmakers typically begin their participation in the Feature Film Program with the January Screenwriters Lab, the only Lab for which there is an open application.

  • Credits
  • Projects

Alice Arlen

Creative Advisor

John Avildsen

Creative Advisor

Walter Bernstein

Creative Advisor

Paul Brickman

Creative Advisor

Robert Caswell

Creative Advisor

Joan Darling

Creative Advisor

Sally Field

Creative Advisor

Morgan Freeman

Creative Advisor

Richard Friedenberg

Creative Advisor

Gyula Gazdag

Creative Advisor

Nelson George

Creative Advisor

Carlin Glynn

Creative Advisor

Stephen Goldblatt

Creative Advisor

Robbie Greenberg

Creative Advisor

James V. Hart

Creative Advisor

Becky Johnston

Creative Advisor

Pierre Jolivet

Creative Advisor

Jeremy Kagan

Creative Advisor

Lyle Kessler

Creative Advisor

Lynzee Klingman

Creative Advisor

John Landis

Creative Advisor

Robert Mandel

Creative Advisor

Craig McKay

Creative Advisor

Lynn Seifert

Creative Advisor

Susan Shilliday

Creative Advisor

David Ward

Creative Advisor

Andy Wolk

Creative Advisor

Bandyta (The Hoodlum)

Cop Land

Days of Grace

Delia

Five Very Pretty Girls

Gramercy Park is Closed to the Public

Koreatown Blues

The King's Daughters (Esther's House)

 
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]