Institute History
Description
What is behind the cinema screen? What if the auditorium dissolves and with it the familiar laws of cinema itself? In the 1990s, Martin Reinhart invented a film technique called “tx-transform,” which exchanges the time (t) and space (x) axes in a film. tx-reverse 360° shows this collision of reality and cinema and draws its viewers into a vortex in which the familiar order of space and time seems to be suspended.
Screens with VR Cinema Program 2
— S.F.
Screening Details
Credits
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
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