Institute History
Description
In the tour-de-force of Atelier Koninck to date, a caretaker enters a decrepit museum and (by accident or design) let a goblet of saliva fall into a Kinetoscope machine. Inside the machine, mechanisms begin to turn, wires run around pulleys, and flaps and hatches open. The puppet figure of a man is conjured into motion and, severing the works from which he hangs, begins to explore the “Street of Crocodiles.” The Quay’s first film in 35mm is an astonishing display of sensual and visceral textures: molds, thick dust, the peeling silver of old mirrors, oily, knotted wires and patinas of cracked glaze.
Screening Details
Credits
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
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