Being (the Digital Griot)

Institute History

  • 2024 Sundance Film Festival

Description

In this innovative participatory experience, Being, an artificial intelligence digital griot, asks the audience to engage in unifying and challenging discussions. It features a soundscape and movement informed by a dataset from Black communities, theorists, poets, and activists, including bell hooks, Paulo Freire, Dazié Grego-Sykes, and Cornel West.

Being (the Digital Griot) is a machine learning model run by a counterhegemonic algorithm that multidisciplinary artist Rashaad Newsome has been developing since 2019. Being (the Digital Griot) takes the humanoid form of a 30-foot tall, femme vogue Afro-futurist cyborg, who writes and reads poetry, and leads critical pedagogy workshops that teach people to decolonize their minds. Colonial values of extraction and exploitation live ubiquitously inside the hearts and minds of colonial subjects, and are the root of our unconscious compulsion to dehumanize and extract value from each other, and from our planet. Being offers generous ways of forging relationships — with others and with ourselves. Newsome reminds us that AI is powered by the richness of our collective human archive, and is a reflection of the values of the designer.—SF



Screenings include open captions.

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]