Director: Phil Morrison
Screenwriters: Angus MacLachlan

Institute History


Director Phil Morrison and screenwriter Angus MacLachlan have forged a creative relationship that delivers an expertly crafted film—one that brings the idiosyncrasies of the modern South into sharp relief, and unearths the discovery that families can be experts at masking their own dysfunction. In Junebug, the unexpected appearance of an outsider illuminates one clan's unresolved resentments and repressed anxieties.

Madeleine (Embeth Davidtz) comes to her family as an infusion of unapologetic big-city swagger—a sophisticated gallery owner from Chicago who becomes the new wife of George (Alessandro Nivola). On a road trip to close a deal with a reclusive North Carolina artist, George finally resolves to introduce Madeleine to his family: prickly mother Peg (Celia Weston); taciturn father Eugene (Scott Wilson); cranky brother Johnny (Ben McKenzie), who has always suffered in the shadow of golden boy George; and Johnny's very pregnant, childlike wife Ashley (Amy Adams), who is instantly awestruck by her Yankee sister-in-law.

Kudos to the creative team who assembled a gifted cast so perfect that they imbue each scene with spot-on emotional pitch. Junebug is blessed to have Morrison's sure-handed and insightful direction. And MacLachlan has crafted a regional tale so pure and so authentic that it's clear that southern storytelling has found its voice again.

(Archives note: see also Phil Morrison's Meet The Artist interview on our YouTube Channel.)

— John Cooper

Screening Details

Sundance Film Festival Awards

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]