Institute History
Description
Horizontal Boundaries looks at certain aspects of the geography of California as the basis for cinematic disruption and restatement. The "boundaries" in question turn out to be frame lines, the divisions between images. Pat O’Neill integrates the lines into the compositional language of the piece, a dynamic repositioning that causes image combinations to be generated unpredictably. The result is a tapestry of exquisite contradiction.
— Mike Plante
Screening Details
Credits
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
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