Institute History
Description
Tracey Snelling’s exquisitely crafted miniature sculptures of buildings and landscapes conjure up a visceral sense of time and place and manifest the life that comes from within. Incorporating architecture, photography, collage, film, and audio, Snelling presents a carnivalesque tableau of the Mexican/American border that tells the story of a sweeping locale and the individual inhabitants who reside in its buildings, streets, and alleyways. The cinematic image stands in for real life and, as it unspools behind windowpanes, creates a sublime sense of wonder, nostalgia, and the relevance of the cinematic image in our terrestrial lives.
Screening Details
Credits
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
If you have questions or comments, please email [email protected]