Institute History
Description
Nashville remains Altman's masterpiece. On the largest canvas he's ever attempted, Altman interweaves strands from twenty-four separate lives in a portrait of the manipulative interrelationship between political opportunism and individual arrogance and ambition in America today. The time is the 1970s; the place, Nashville, the home of country-and-western music and a mecca for those who are talented, those who would like to be, and those who fawn on the famous. What plot there is hangs on the organizing of a concert and rally to support conservative candidate Hal Philip Walker by political huckster John Triplette (Michael Murphy), but as is usual with Altman, the real story emerges from the encounters between the characters, some deliberate, some only chance. Altman's innovative, panoramic use of multiple sound tracks totally immerses the audience in the world of Nashville, with its hollow recording studios, noisy bars and chaotic, clamoring concert halls. The final moments, when Albuquerque (Barbara Harris) jumps onstage, grabs a mike and begins singing It Don't Worry Me" to stave off potential disaster, are some of the most powerful in recent American cinema.