Archive

Description

In the wake of a virtual affair lived entirely through email and gchat, two lovers face the intangibility and distance that characterized their relationship. A search for the physical traces of their connection prompts a journey to the data center which holds their intimate messages.

Jonathan Minard's films examine our dreams of the near future through documentary and science fiction. He has directed a web series on the history of the internet called The Information Age, and created Clouds, an interactive movie presented in virtual reality which premiered as part of New Frontier at the Sundance Film Festival in 2014, and was awarded Best Interactive Film at the Tribeca Film Festival. Minard has received support through research fellowships and commissions from Eyebeam, the Studio for Creative Inquiry, NASA Ames, and the US Fulbright Program in Mongolia. In 2009, he founded Deepspeed Media, a production company with a focus on science and technology.

Scott Rashap is a screenwriter and director of live action and animation. Since graduating from NYU's Tisch School of the Arts, he has written a series of historical and biographical films told through a nontraditional lens, including Toru, the story of a terminally ill baby who lives out his brief life in a simulation; Songs from a Room, a study of a dead man's identity based on the items found in his office; The Epic History of Everyday Things for the History Channel; and Past Perfect, an interactive documentary directed with Jonathan Minard, which invited participants to back up their memories to the Cloud.

Credits

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]