Film Music Program Fellows

Christian Amigo

Christopher Anderson-Bazzoli

Tyler Bates

Jonathan Bepler

Kurt Bestor

Ryan Beveridge

Kathryn Bostic

Tim Boyle

Steven Bramson

Jane Brockman

Don Byron

Will Calhoun

Arlen Card

Ralph Carney

Kim Carroll

Matt Cartsonis

Stephen Thomas Cavit

Nancy Laird Chance

George Chave

Billy Childs

Sherri Chung

Barbara Cohen

Marco D'Ambrosio

Terry Dame

Chanda Dancy

Brent Michael Davids

Mark De Gli Antoni

Suzanne B. Dean

Lawrence A. Dominello

Brad Fiedel

Peter Fitzpatrick

Jeremy Flower

Aiko Fukushima

Magda Giannikou

Vincent Gillioz

Joseph Gonzales

Todd Griffin

Chris Guardino

John Hancock

Lili Haydn

Derrick Hodge

Shahzad Ali Ismaily

Camara Kambon

Andreas Kapsalis

Laura Karpman

Kristopher Karter

Emilio Kauderer

Nancy Kewin

Eva King

Ronit Kirchman

Penka Kouneva

Mark Koval

Viktor Krauss

Nick Laird-Clowes

JJ Lee

Christopher Lord

Gary Louris

Erik Lundborg

Jessica Lurie

Frank Macchia

Vivek Maddala

Karen Martin-Messner

Roger Mason

Sasha Matson

Rebeca Mauleon

Mark McKenzie

Joel McNeely

Peter R. Melnick

Raz Mesinai

Leon Milo

Mick Muhlfriedel

Sean Murray

Sujin Nam

David Newman

Mark Orton

Nicholas Pavkovic

Grant Lee Phillips

Greg Pliska

David Poe

Zoe Poledouris

Paola Prestini

Bradford Reed

Ted Reichman

Craig Richey

Stan Ridgway

Gyan Riley

Arturo Rodriguez

Carlos Rodriquez

Enis Rotthoff

Curtis Roush

Kareem Roustom

Hahn Rowe

Gingger Shankar

Rani Sharone

Martin St-Pierre

Ned Sublette

Otis Taylor

Kenya Tillery

Christopher Tin

Ceiri Torjussen

Jeff Toyne

Kristen Volgelsang

Courtney von Drehle

Billy White Acre

Jack Eric Williams

Michael Wolff

Lev "Ljova" Zhurbin

Robin Zimmermann

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]