Beneath the layers of hardware and software applications, the visual vocabulary of editing remains the essential contemporary language from which film creation and comprehension is derived. Like linguistic masters, today’s most accomplished editors take seemingly random images and spin complex webs of coherent story, rhythm, and style. This discussion gathers leading practitioners of this amazing art-form to discuss editing’s essential grammar, the role of non-linear editing, and the best strategies for keeping up with the ever-changing technological tools of the trade. Moderated by Jennifer Hilner, entertainment editor at Wired Magazine.
Credits
| Jennifer Hilner
Panelist | Matt Radecki
Panelist |
| Billy McMillin
Panelist | Alan Berliner
Panelist |
| Meg Reticker
Panelist |
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