The independent film community often has its hands full with marketing and distributing films to a domestic audience, but how do foreign markets play a role in the financial life cycle of indie work? How well do specialized films actually do in other countries? And how do our films relate to the perception of American society abroad? At a time when entertainment represents one of America’s most significant exports (and, some would argue, also a form of cultural hegemony), how are our films received by foreign audiences? The foreign press at Sundance has a few thoughts. Moderated by Mike Goodridge.
Note: no ticket is required for this event.
Credits
| Mike Goodridge
Panelist |
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