Keep up with the rapidly changing world of digital filmmaking. Join us for a discussion of the specific challenges of shooting digital video and recording digital sound. What are the questions you need to address to accomplish your aesthetic goals? Should you shoot your next project on PAL or NTSC? What kind of lighting package will you need? Do you want to record sound directly into the camera, or on a DAT? Which camera should you use?
Credits
| Harriet Dodge
Panelist | Rebecca Miller
Panelist |
| Toshiaki Ozawa
Panelist | Johnny Simmons
Panelist |
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
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