Perhaps the most significant changes we are seeing in the realm of aesthetics are in the areas of digital animation. Suddenly, new horizons of storytelling are opening up and many new visions are being explored. But are these aesthetics gaining popularity with the public? And how many filmmakers can actually access this filed? Is animation a prohibitively expensive field demanding great technical specificity, or does it hold promise for the independent filmmaker? Join us for a conversation encompassing aesthetics, technology, market forces, and special effects.
Credits
| Aaron Berger
Panelist | Tommy Pallotta
Panelist |
| Aron Warner
Panelist | Tom Felmming
Panelist |
| David Cutler
Panelist | Mark Ewert
Panelist |
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
If you have questions or comments, please email [email protected]