The independent documentary is a genre that attracts its share of controversy. But today it seems virtually an endangered species, acutely affected by changing patterns of funding, exhibition and broadcast which, in turn, have curtailed innovative styles and difficult subject matter. In short, what is the future of a form that, at its best, alters our vision and understanding of the world?
Credits
| Peter Biskind
Panelist | Robert Gardner
Panelist |
| David Loxton
Panelist | Lawrence Daressa
Panelist |
| Nick Hart-Williams
Panelist | Lawrence Sapadin
Panelist |
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
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