Art and Film: New Directions in Cinema

Artists from other fields have long been among those making the greatest contributions to new aesthetic developments in cinema. This year three remarkably accomplished artists offer their insights and analysis about the challenges of conventional cinema exemplified by their work. English filmmaker/painter Derek Jarman joins cinematic newcomers Peter Sellars (opera and theatre) and Julie Taymor (theatre and puppetry) in a wide-ranging discussion which will focus on uses of sound and music in The Cabinet of Dr. Ramirez, the relationship between technology and character in Fool’s Fire, and the extraordinarily juxtaposition of the classic and the contemporary in Edward II. Twenty-five years of innovation and retrenchment after the New Wave of the sixties open the doors for the consideration of what’s next.

Credits

Derek Jarman
Panelist
Peter Sellars
Panelist
Julie Taymor
Panelist
Berenice Reynaud
Panelist
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]