The Redemption of General Butt Naked

Institute History

Description

Joshua Milton Blahyi—aka General Butt Naked—was a ruthless and feared warlord during Liberia’s 14-year civil war. Today, he has renounced his violent past and reinvented himself as a Christian evangelist on a journey of self-proclaimed transformation. Blahyi travels the nation of Liberia as a preacher, seeking out those he once victimized in search of an uncertain forgiveness. But in the end, are some crimes beyond the pale of forgiveness?

Dubbed “General Butt Naked” for fighting with nothing more than an AK-47 and a pair of leather shoes, Blahyi believed he possessed supernatural powers that made him impervious to bullets. The General and his army of child soldiers are said to have killed thousands during Liberia’s horrific civil war. Following a dramatic conversion to Christianity, the General abruptly laid down his weapons in 1996, leaving behind his soldiers, his country and a war that would rage for another seven years.

Today, Blahyi is on a quest for redemption: facing those he once terrorized, preaching where he once murdered, and trying to rebuild the shattered lives of those he commanded during the war. For five years, filmmakers Eric Strauss and Daniele Anastasion tracked his often troubling path up-close, finding both the genuine and disconcerting in Blahyi’s efforts. The film forces us to question the very nature of what true, meaningful reconciliation looks like in a country where justice has not been available. At every turn, The Redemption of General Butt Naked challenges viewers to confront hard questions about both the power and limits of forgiveness in a nation searching for healing and justice. Whatever you make of him—liar or madman, charlatan or genuine repentant—you will never meet another character as challenging as Joshua Milton Blahyi, General Butt Naked.

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]