Institute History

Description

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

A breathtaking film and the second collaboration of filmmakers Astrid Rondero and Fernanda Valadez (Identifying Features), Sujo recenters stories of cartel violence by exploring its aftermath, the collateral damage, and its orphans. With lyrical intensity and a penetrating humanity, it offers a moving, contemporary coming-of-age portrait of Sujo, a young man named after a strong-willed horse, and the way his identity, consciousness, and moral character are shaped through various episodes—by the women who protect him, the boys lured toward their fathers’ fates, the mentorship of a teacher—as if they are seasons in his growth. A rich tapestry of motifs reflects on how cycles are formed and broken. As a gunman’s son, is Sujo’s fate governed by circumstance or by something innate, akin to his spirited namesake?—JN

This film contains strobe effects.

Available in person. Also available online for the public (January 25–28) and credentialed press and industry (January 24–28).



Screenings include open captions.

Screening Details

Sundance Film Festival Awards

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]