Institute History
Description
Lainie just graduated from college as valedictorian, but she’s already disenchanted with life. Only one thing seems meaningful—shooting a documentary about her equally disillusioned friends: her clever, irreverent roommate, Vickie; easygoing, sexually confused Sammy; and Troy, a chronically unemployed musician who uses incisive wit to keep people and commitment at a safe distance. When yuppie Michael, who works for an edgy television network, takes an interest in Lainie and her videos, things start looking up. Soon, though, Troy’s ambivalent reaction to her new relationship makes all three look hard at what they value.
When it premiered at the Sundance Film Festival, Reality Bites marked Stiller’s directorial debut and his first chance to transfer his savvy sense of humor to film. Stiller’s sardonic eye and screenwriter Helen Childress’s realistic ear for the language of her generation turn this portrait of the aspirations and frustrations of twentysomethings in the chaotic, materialistic 1990s into something deeper than just romantic comedy. Even the film’s title does double-duty: is “bites” a noun or a verb?
Thanks to Universal Studios for this newly struck print, a result of the studio’s significant commitment to restoring its most-loved films in celebration of its rich history and cultural impact on its hundredth anniversary.