2014 Creative Producing Summit

As part of the Institute’s evolving commitment to independent producers, the Summit is an invitation-only event for up to 50 producers and directors identified through the full array of the Institute’s creative development programs and the Sundance Film Festival. Building on Sundance Institute's philosophy of extending a broad continuum of creative and strategic support to diverse projects, the Summit targets producers and projects already being nurtured through Labs, fellowships, grants, and Festival participation, or those with potential to be supported by Sundance Institute programs.

  • Credits
  • Projects

Michael Barker

Panelist

Christine Vachon

Panelist

Tom Quinn

Panelist

Paul Mezey

Panelist

Rena Ronson

Panelist

Ron Yerxa

Panelist

Diane Weyermann

Panelist

Jessica Lacy

Panelist

John Sloss

Panelist

Kevin Iwashina

Panelist

Ian Bricke

Panelist

Josh Braun

Panelist

Jess Search

Panelist

Lois Vossen

Panelist

Greg Ammon

Panelist

Jason Michael Berman

Panelist

Jeb Brody

Panelist

Philipp Engelhorn

Panelist

Andrew Goldman

Panelist

Julie Goldman

Panelist

Ben Kramer

Panelist

Julie Lynn

Panelist

Vinnie Malhotra

Panelist

Riva Marker

Panelist

Sophie Mas

Panelist

Joe Matukewicz

Panelist

Deb McIntosh

Panelist

Cara Mertes

Panelist

Constance Orlando

Panelist

Annie Roney

Panelist

Jonathan Schwartz

Panelist

Joana Vicente

Panelist

Laura Vigilante

Panelist

Burton Ritchie

Panelist

Josh Penn

Panelist

Molly Thompson

Panelist

Nancy Willen

Panelist

Brian Newman

Panelist

Ryan Werner

Panelist

Bonni Cohen

Panelist

Stephen Nemeth

Panelist

Yancey Strickler

Panelist

Victoria S. Cook

Panelist

Bill Holderman

Panelist

Wendy Cohen

Panelist
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]