1995 June Screenwriters Lab

The Screenwriters Lab is a five-day writer’s workshop that gives independent screenwriters the opportunity to work intensively on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking. One-on-one story sessions with Creative Advisors support, challenge, and inspire the screenwriters during this intensive process of script development.
Filmmakers typically begin their participation in the Feature Film Program with the January Screenwriters Lab, the only Lab for which there is an open application.

  • Credits
  • Projects

Alice Arlen

Creative Advisor

L.M. Kit Carson

Creative Advisor

Anne Coates

Creative Advisor

Alfonso Cuarón

Creative Advisor

Joan Darling

Creative Advisor

Allen Daviau

Creative Advisor

Gyula Gazdag

Creative Advisor

Nelson George

Creative Advisor

Brian Gilbert

Creative Advisor

Carlin Glynn

Creative Advisor

Stephen Goldblatt

Creative Advisor

Todd Graff

Creative Advisor

Robbie Greenberg

Creative Advisor

Kevin Jarre

Creative Advisor

Jeremy Kagan

Creative Advisor

Nicholas Kazan

Creative Advisor

Xavier Koller

Creative Advisor

Peter Masterson

Creative Advisor

Jim McBride

Creative Advisor

Jim McKay

Creative Advisor

Michael Radford

Creative Advisor

Robert Redford

Creative Advisor

Tom Schulman

Creative Advisor

Lynn Seifert

Creative Advisor

Susan Shilliday

Creative Advisor

Wesley Strick

Creative Advisor

Robin Swicord

Creative Advisor

Jon Turteltaub

Creative Advisor

Denzel Washington

Creative Advisor

Andy Wolk

Creative Advisor

Steve Zaillian

Creative Advisor

Steven Rosenblum

Creative Advisor
 

Arresting Gena

Artemisia

Cigarettes

Innocent Desire

Mona's Stranger

She's The One

Slums of Beverly Hills

Unmerciful Good Fortune

 
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]