Sundance Institute

Brother’s Keeper Audience Award: Documentary	The Waterdance Audience Award: Dramatic	Swoon Excellence in Cinematography Award: Dramatic
Shoot for the Contents Excellence in Cinematography Award: Documentary	A Brief History of Time Filmmaker Trophy Documentary	Zebrahead Filmmaker Trophy Dramatic
A Brief History of Time Grand Jury Prize: Documentary	Finding Christa Grand Jury Prize: Documentary	In the Soup Grand Jury Prize: Dramatic
In the Soup Special Jury Prize for Acting	The Hours and Times Special Jury Recognition	My Crasy Life Special Jury Recognition
The Waterdance Waldo Salt Screenwriting Award

Stephanie Black Documentary Competition Juror	William Greaves Documentary Competition Juror	Isaac Julien Documentary Competition Juror
Berenice Reynaud Documentary Competition Juror	Beth B Dramatic Competition Juror	Callie Khouri Dramatic Competition Juror
Alberto Garcia Programmer, Sundance Film Festival	Geoffrey Gilmore Director of Programming, Sundance Film Festival	Robert Hawk Competition Selection Advisory Committee Member
Laurence Kardish Competition Selection Advisory Committee Member	Marian Luntz Competition Selection Advisory Committee Member	B. Ruby Rich Competition Selection Advisory Committee Member
Lawrence Smith Competition Selection Advisory Committee Member	Norman Wang Competition Selection Advisory Committee Member	John Cooper Programmer, Sundance Film Festival

Art and Film: New Directions in Cinema	Barbed-Wire Kisses: Contemporary Lesbian and Gay Cinema	Black Documentary: A Look at the Other Side
Flaherty, Cinema Vérité and “Truth”: Documentary Traditions and Authenticity	Latin America Cinema Today	Video Television, Cable and the Independent Filmmaker
What’s the Deal? Buying and Selling the Independent Film

2001: A Space Odyssey	901, after Forty-Five Years of Working	A Blink of Paradise
A Brief History of Time	A Clockwork Orange	Adorable Lies
Air Time	Angry	Anima Mundi
Asylum	Backyard Movie	Birch Street Gym
Black and White	Brother’s Keeper	Caravaggio
Carne	Clearcut	Color Adjustment: Blacks in Prime Time
Complaints	Confession to Laura (Confesion a Laura)	Contact
Daily Rains	Danzon	Death by Unnatural Causes
Deep Blues	Delicatessen	Desperate
Distant Voices, Still Lives	Distant Water	Edward II
Empire of the Moon	Fathers and Sons	Fifteenth Phase of the Moon
Finding Christa	Flames of Passion	Fool’s Fire
Gas, Food, and Lodging	Hallelujah Anyhow	Hardcore Home Movie
Hear My Song	Highway 61	Homo Videocus
In and Out of Time	In Search of our Fathers	In the Soup
Incident at Oglala	Innocents Abroad	Intimate Stranger
Into Your Guts	Island Memory	It’s Like Lies . . .
I’m British But . . .	Jo-Jo at the Gate of the Lions	Johnny Suede
Ju Dou	Jumpin at the Boneyard	Kafka
Last Images of War	Latino Bar	Light Sleeper
Listen Carefully	Lolita	London Kills Me
Low	Masala	Media Darling
Memory Circus	Missing Parents	Mississippi Masala
Monster in a Box	My Crasy Life	Night on Earth
Old Well	One & Eight	Paths of Glory
Play is the Work of Children	Poison Ivy	Proof
R.S.V.P.	Raise the Red Lantern	Recovering Silver
Red Sorghum	Relax	Reservoir Dogs
Resonance	Revenge of the Occupant	Revestriction
Rock Soup	Rodney & Juliet	Salvation Guaranteed
Session Man	Shoot for the Contents	Six Point Nine
Some Divine Wind	Spartacus	Star Time
Stealing Altitude	Storyville	Surfacing
Swoon	Symbiopsychotaxiplasm: Take One	Tater Tomater
Techqua Ikachi: Land - My Life	Thanksgiving Prayer	That Sinking Feeling
The Air Globes	The Cabinet of Dr. Ramirez	The Godson
The Hours and Times	The Inland Sea	The Killing
The Kiss	The Last Harvest (La Ultima Siembra)	The Last Round Up
The Letters from Moab	The Living End	The Most Beautiful Breasts in the World
The Potato Hunter	The Room	The Tune
The Waterdance	The Wounding	There's No Place Like Homegirl
This is My Life	Through an Open Window	Two Lies
Vegas In Space	Venus Peter	Washing Machine Man
Where are We?: Our Trip through America	Without a Pass	Yellow Earth
Young Soul Rebels	Zebrahead

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]

1992 Sundance Film Festival