2005 Sundance Film Festival

Building on a long tradition of presenting international films, the Sundance Film Festival launched its World Cinema Competition in 2005 with features including TONY TAKITANI to BROTHERS, and documentaries ranging from GRIZZLY MAN to SHAKE HANDS WITH THE DEVIL: THE JOURNEY OF ROMEO DALLAIRE. International films were complemented by a U.S. slate that included ME AND YOU AND EVERYONE WE KNOW, HUSTLE AND FLOW, THE SQUID AND THE WHALE, and THE EMPORER'S JOURNEY which was renamed THE MARCH OF THE PENGUINS when released in the U.S. later that year. For the first time Sundance presented a selection from its Short Film Program online, marking a convergence of the Festival's commitment to short films and its continued efforts to extend the Festival experience to an online audience.

Awards

Alfred P. Sloan Prize
Grizzly Man
Audience Award Documentary
Murderball
Audience Award Dramatic
Hustle & Flow
Directing Award Documentary
The Devil and Daniel Johnston
Directing Award Dramatic
The Squid and the Whale
Excellence in Cinematography Award Documentary
The Education of Shelby Knox
Excellence in Cinematography Award Dramatic
Hustle & Flow
Grand Jury Prize Documentary
Why We Fight
Grand Jury Prize Dramatic
40 Shades of Blue (Forty Shades of Blue)
Honorable Mention Short Filmmaking
One Weekend a Month
Honorable Mention Short Filmmaking
Tama Tu
Honorable Mention Short Filmmaking
Ryan
Honorable Mention Short Filmmaking
Bullets in the Hood: A Bed-Stuy Story
Honorable Mention Short Filmmaking
Small Town Secrets
Honorable Mention Short Filmmaking
Victoria Para Chino
Jury Prize International Short Filmmaking
Wasp
Jury Prize Short Filmmaking
Family Portrait
Special Documentary Jury Prize for Editing
Murderball
Special Jury Prize Documentary
After Innocence
Special Jury Prize for Acting
Junebug
Special Jury Prize for Acting
Thumbsucker
Special Jury Prize for Originality of Vision Dramatic
Brick
Special Jury Prize for Originality of Vision Dramatic
Me and You and Everyone We Know
Waldo Salt Screenwriting Award
The Squid and the Whale
World Cinema Audience Award Dramatic
Brothers
World Cinema Jury Prize Documentary
Shape of the Moon
World Cinema Jury Prize Dramatic
The Hero
World Cinema Special Jury Prize Documentary
The Liberace of Baghdad
World Cinema Special Jury Prize Documentary
Wall
World Cinema Special Jury Prize Dramatic
The Forest for the Trees
World Cinema Special Jury Prize Dramatic
Live-in Maid
 

Credits

Stacy Peralta
Documentary Competition Juror
Jehane Noujaim
Documentary Competition Juror
Steve James
Documentary Competition Juror
Jean-Philippe Boucicaut
Documentary Competition Juror
Gail Dolgin
Documentary Competition Juror
Chris Eyre
Dramatic Competition Juror
Vera Farmiga
Dramatic Competition Juror
John C. Reilly
Dramatic Competition Juror
B. Ruby Rich
Dramatic Competition Juror
Christine Vachon
Dramatic Competition Juror
Penny Woolcock
World Documentary Competition Juror
Jean Perret
World Documentary Competition Juror
Antonia Bird
World Dramatic Competition Juror
Mike Goodridge
World Dramatic Competition Juror
Fernando León de Aranoa
World Dramatic Competition Juror
Sam Green
Short Film Competition Juror
Ernest Hardy
Short Film Competition Juror
Peggy LeMone
Alfred P. Sloan Prize Juror
Shane Carruth
Alfred P. Sloan Prize Juror
John Underkoffler
Alfred P. Sloan Prize Juror
Lawrence Krauss
Alfred P. Sloan Prize Juror
Miguel Arteta
Alfred P. Sloan Prize Juror
Miriam Cutler
World Documentary Competition Juror
Jake Gyllenhaal
Awards Ceremony MC
Zooey Deschanel
Awards Ceremony MC
John Cooper
Director of Programming, Sundance Film Festival
Geoffrey Gilmore
Director, Sundance Film Festival
 

Panels

Big Business of Small Films: Alternative Distribution 101Case Study: Me and You and Everyone We Know
Controlling Creative AssetsConversation at the Lodge: Barbara Kopple
Conversation at the Lodge: Jean Perret, Visions du Reel NyonConversation at the Lodge: Michael Winterbottom
Culture WarsDocs, Blogs & the Changing Politics of America
Edit RoomFilm Church with Elvis Mitchell
Film Church with John PiersonFinding the Funding
HD Shooting and Format DecisionsImaginary Worlds
Meet and Greet the Commissioning Editors: U.S. and International Documentary StrandsMeet the Foreign Press
New Digital MarketNew Doc Market
Of Credit Crawls and Curtain Calls: Stories from Stage and ScreenOutside the Frame and Against the Odds: A Lecture by Rebecca Solnit
Poets of Progress and DoomPostproduction Now
Roundtable Discussion - Music and Film: The Creative ProcessSex Stays in the Picture
Southern ExposureSundance Short Film Stories
Visions of Reality: Werner Herzog & Frederick WeismanWaltz: The Filmmaker/Subject Dance
What is Machinima?World is Watching
Writing the Land 

Projects

212 3-Iron
40 Shades of Blue (Forty Shades of Blue) 5th World
9 9 Songs
A Buck's Worth A Thousand Roads
After Innocence America's Biggest Dick
American Fame Pt. 2: Forgetting Jonathan Brandis Among Thieves
Are You the Favorite Person of Anybody? Ballets Russes
Being Bad Berocca
Between Beyond the Fire: Teen Experiences of War
Billy's Dad Is a Fudge-Packer Brick
Broadcast 23 Brothers
Bullets in the Hood: A Bed-Stuy Story Chamaco (Kid)
Choked Cronicas
Cry for Help Dear Wendy
Dhakiyarr vs. the King Dimmer
Dirty Love Drum
Duane Hopwood Eating
El Inmortal Elephant Palm Tree
Elke's Visit Ellie Parker
Email to Mom Enron: The Smartest Guys in the Room
Estes Avenue Everything's Gone Green
Exactly Fallen Art
Family Portrait Film Actions V
Flotsam/Jetsam Forest Grove
From Cherry English Frozen Angels
Fuel Game 6
Goodnight Irene Green Bush
Green Chair Grizzly Man
Happy Endings Hard Candy
Harlan County, U.S.A. Heights
High School Record Home Game
How the Garcia Girls Spent Their Summer How-to-Bow
Husk Hustle & Flow
I Am Cuba, the Siberian Mammoth In the Morning
In Time Inside Deep Throat
It's Like That Julia 1926
Junebug Kare Kare Zvako--Mother's Day
Kekexili: Mountain Patrol Kung Fu Hustle
Lackawanna Blues Late Bloomer
Layer Cake Let the Good Times Roll
Lila Says Live-in Maid
Loggerheads Lonesome Jim
Love and Laundry Love, Ludlow
Loverboy March of the Penguins
Mardi Gras: Made in China Marilyn Hotchkiss Ballroom Dancing & Charm School
Mary Matalo!
Matando Cabos Me and You and Everyone We Know
Meet Michael Oppenheim MirrorMask
Mitchellville Monsterthursday
Moo(n) Motel
Motion Studies #3: Gravity Murderball
Mysterious Skin Natchiliagniaqtuguk Aapagalu
New York Doll Nine Lives
Odessa Odessa Oh My God
Old Boy On a Clear Day
One Weekend a Month Palermo Hollywood
Pizza Shop Plains Empty
Planet of the Arabs Police Beat
Pretty Persuasion Protocols of Zion
Pura Lengua (All Tongue) Raw
Recycle Reefer Madness
Reel Paradise Ring of Fire: The Emile Griffith Story
Rize Rock School
Romantico Room
Rory O'Shea Was Here Ryan
Saving Face Saving Jackie
Shake Hands with the Devil: The Journey of Roméo Dallaire Shakespeare Behind Bar
Shape of the Moon Small Town Secrets
Snowland Solo un Cargador
Spelling Bee Stand by Your Guns
Staring at the Sun Steal Me
Stranger Stranger Than Paradise
Strangers with Candy Stronger
Sugar Swim Test
Swimmers Symbiopsychotaxiplasm: Take 2 1/2
Tama Tu The 3 Rooms of Melancholia
The Act The Aristocrats
The Ballad of Jack and Rose The Birthday
The Children of Leningradsky The Chumscrubber
The Devil and Daniel Johnston The Dying Gaul
The Education of Shelby Knox The Fair
The Fall of Fujimori The Forest for the Trees
The Garden The Girl from Monday
The Hero The Jacket
The Joy of Life The Last Days of Jonathan Perlo
The Last Full Measure The Liberace of Baghdad
The Matador The Meaning of Life
The Motel The Puffy Chair
The Raftman's Razor The Sailor's Girl
The Salon The Squid and the Whale
The Talent Given Us The Upside of Anger
The Youth in Us This Charming Girl
This Revolution Three...Extremes
Through My Thick Glasses Thumbsucker
Tongue Bully Tony Takitani
Tropic of Cancer Trudell
Twist of Faith Un Dia en la Vida
Unconscious Unknown White Male
Victoria Para Chino Waiting for the Man
Wall Wasp
West Bank Story What Is It?
Who Killed Cock Robin? Why We Fight
With Diva Wolf Creek
Yang Ban Xi: The 8 Model Works ¿Con Qué la Lavaré?
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email archives@sundance.org