Hoop DreamsAudience Award: Documentary | Spanking the MonkeyAudience Award: Dramatic | Colorado Cowboy: The Bruce Ford StoryExcellence in Cinematography Award: Documentary |
SutureExcellence in Cinematography Award: Dramatic | Theremin: An Electronic OdysseyFilmmaker Trophy Documentary | ClerksFilmmaker Trophy Dramatic |
FreshFilmmaker Trophy Dramatic | Dialogues with MadwomenFreedom of Expression Award | Heart of the MatterFreedom of Expression Award |
Freedom on My MindGrand Jury Prize: Documentary | What Happened WasGrand Jury Prize: Dramatic | FreshSpecial Jury Prize for Acting |
Coming Out Under FireSpecial Jury Recognition | FunSpecial Jury Recognition | What Happened WasWaldo Salt Screenwriting Award |
Bill CouturieDocumentary Competition Juror | Barbara HammerDocumentary Competition Juror | Chris HegedusDocumentary Competition Juror |
Betsy McLaneDocumentary Competition Juror | Marco WilliamsDocumentary Competition Juror | Allison AndersDramatic Competition Juror |
Tantoo CardinalDramatic Competition Juror | Maggie GreenwaldDramatic Competition Juror | Neal JimenezDramatic Competition Juror |
Matthew ModineDramatic Competition Juror | Andrea AlsbergCompetition Selection Advisory Committee Member | Robert HawkCompetition Selection Advisory Committee Member |
Laurence KardishCompetition Selection Advisory Committee Member | B. Ruby RichCompetition Selection Advisory Committee Member | Lawrence SmithCompetition Selection Advisory Committee Member |
Ella TaylorCompetition Selection Advisory Committee Member | Norman WangCompetition Selection Advisory Committee Member | Geoffrey GilmoreDirector of Programming, Sundance Film Festival |
John CooperProgrammer, Sundance Film Festival | Lisa Ann ViolaAssistant Programmer, Sundance Film Festival | Trevor GrothAssistant Programmer, Sundance Film Festival |
As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication.
If you have questions or comments, please email [email protected]