Sundance Institute

Grizzly Man Alfred P. Sloan Feature Film Prize	Murderball Audience Award: U.S. Documentary	Hustle & Flow Audience Award: U.S. Dramatic
Shake Hands with the Devil: The Journey of Roméo Dallaire Audience Award: World Cinema Documentary	Brothers Audience Award: World Cinema Dramatic	The Devil and Daniel Johnston Directing Award: U.S. Documentary
The Squid and the Whale Directing Award: U.S. Dramatic	The Education of Shelby Knox Excellence in Cinematography Award: U.S. Documentary	Hustle & Flow Excellence in Cinematography Award: U.S. Dramatic
Why We Fight Grand Jury Prize: U.S. Documentary	40 Shades of Blue (Forty Shades of Blue) Grand Jury Prize: U.S. Dramatic	Shape of the Moon Grand Jury Prize: World Cinema Documentary
The Hero Grand Jury Prize: World Cinema Dramatic	One Weekend a Month Honorable Mention Short Filmmaking	Tama Tu Honorable Mention Short Filmmaking
Ryan Honorable Mention Short Filmmaking	Bullets in the Hood: A Bed-Stuy Story Honorable Mention Short Filmmaking	Small Town Secrets Honorable Mention Short Filmmaking
Victoria Para Chino Honorable Mention Short Filmmaking	Wasp Jury Prize International Short Filmmaking	Family Portrait Jury Prize Short Filmmaking
Murderball Special Jury Prize	After Innocence Special Jury Prize Documentary	Junebug Special Jury Prize for Acting
Thumbsucker Special Jury Prize for Acting	Brick Special Jury Prize for Originality of Vision Dramatic	Me and You and Everyone We Know Special Jury Prize for Originality of Vision Dramatic
The Squid and the Whale Waldo Salt Screenwriting Award	The Liberace of Baghdad World Cinema Documentary Special Jury Prize	Wall World Cinema Documentary Special Jury Prize
The Forest for the Trees World Cinema Special Jury Prize Dramatic	Live-in Maid World Cinema Special Jury Prize Dramatic

Stacy Peralta Documentary Competition Juror	Jehane Noujaim Documentary Competition Juror	Steve James Documentary Competition Juror
Jean-Philippe Boucicaut Documentary Competition Juror	Gail Dolgin Documentary Competition Juror	Chris Eyre Dramatic Competition Juror
Vera Farmiga Dramatic Competition Juror	John C. Reilly Dramatic Competition Juror	B. Ruby Rich Dramatic Competition Juror
Christine Vachon Dramatic Competition Juror	Penny Woolcock World Documentary Competition Juror	Jean Perret World Documentary Competition Juror
Antonia Bird World Dramatic Competition Juror	Mike Goodridge World Dramatic Competition Juror	Fernando León de Aranoa World Dramatic Competition Juror
Sam Green Short Film Competition Juror	Ernest Hardy Short Film Competition Juror	Peggy LeMone Alfred P. Sloan Prize Juror
Shane Carruth Alfred P. Sloan Prize Juror	John Underkoffler Alfred P. Sloan Prize Juror	Lawrence Krauss Alfred P. Sloan Prize Juror
Miguel Arteta Alfred P. Sloan Prize Juror	Miriam Cutler World Documentary Competition Juror	Joseph Beyer Associate Programmer, Sundance Film Festival
John Cooper Director of Programming, Sundance Film Festival	Shari Frilot Programmer, Sundance Film Festival	Geoffrey Gilmore Director, Sundance Film Festival
Trevor Groth Senior Programmer, Sundance Film Festival	Caroline Libresco Programmer, Sundance Film Festival	Mike Plante Programmer, Short Film, Sundance Film Festival
Roberta Munroe Programmer, Short Film, Sundance Film Festival	Bird Runningwater Native American Initiatives Programmer, Sundance Film Festival

Big Business of Small Films: Alternative Distribution 101	Case Study: Me and You and Everyone We Know	Controlling Creative Assets
Conversation at the Lodge: Barbara Kopple	Conversation at the Lodge: Jean Perret, Visions du Reel Nyon	Conversation at the Lodge: Michael Winterbottom
Culture Wars	Docs, Blogs & the Changing Politics of America	Edit Room
Film Church with Elvis Mitchell	Film Church with John Pierson	Finding the Funding
HD Shooting and Format Decisions	Imaginary Worlds	Meet and Greet the Commissioning Editors: U.S. and International Documentary Strands
Meet the Foreign Press	New Digital Market	New Doc Market
Of Credit Crawls and Curtain Calls: Stories from Stage and Screen	Outside the Frame and Against the Odds: A Lecture by Rebecca Solnit	Poets of Progress and Doom
Postproduction Now	Roundtable Discussion - Music and Film: The Creative Process	Sex Stays in the Picture
Southern Exposure	Sundance Short Film Stories	Visions of Reality: Werner Herzog & Frederick Weisman
Waltz: The Filmmaker/Subject Dance	What is Machinima?	World is Watching
Writing the Land

212	3-Iron	40 Shades of Blue (Forty Shades of Blue)
5th World	9	9 Songs
A Buck's Worth	A Thousand Roads	After Innocence
America's Biggest Dick	American Fame Pt. 2: Forgetting Jonathan Brandis	Among Thieves
Are You the Favorite Person of Anybody?	Ballets Russes	Being Bad
Berocca	Between	Beyond the Fire: Teen Experiences of War
Billy's Dad Is a Fudge-Packer	Brick	Broadcast 23
Brothers	Bullets in the Hood: A Bed-Stuy Story	Chamaco (Kid)
Choked	Cronicas	Cry for Help
Dear Wendy	Dhakiyarr vs. the King	Dimmer
Dirty Love	Drum	Duane Hopwood
Eating	El Inmortal	Elephant Palm Tree
Elke's Visit	Ellie Parker	Email to Mom
Enron: The Smartest Guys in the Room	Estes Avenue	Everything's Gone Green
Exactly	Fallen Art	Family Portrait
Film Actions V	Flotsam/Jetsam	Forest Grove
From Cherry English	Frozen Angels	Fuel
Game 6	Goodnight Irene	Green Bush
Green Chair	Grizzly Man	Happy Endings
Hard Candy	Harlan County, U.S.A.	Heights
High School Record	Home Game	How the Garcia Girls Spent Their Summer
How-to-Bow	Husk	Hustle & Flow
I Am Cuba, the Siberian Mammoth	In the Morning	In Time
Inside Deep Throat	It's Like That	Julia 1926
Junebug	Kare Kare Zvako--Mother's Day	Kekexili: Mountain Patrol
Kung Fu Hustle	Lackawanna Blues	Late Bloomer
Layer Cake	Let the Good Times Roll	Lila Says
Live-in Maid	Loggerheads	Lonesome Jim
Love and Laundry	Love, Ludlow	Loverboy
March of the Penguins	Mardi Gras: Made in China	Marilyn Hotchkiss Ballroom Dancing & Charm School
Mary	Matalo!	Matando Cabos
Me and You and Everyone We Know	Meet Michael Oppenheim	MirrorMask
Mitchellville	Monsterthursday	Moo(n)
Motel	Motion Studies #3: Gravity	Murderball
Mysterious Skin	Natchiliagniaqtuguk Aapagalu	New York Doll
Nine Lives	Odessa Odessa	Oh My God
Old Boy	On a Clear Day	One Weekend a Month
Palermo Hollywood	Pizza Shop	Plains Empty
Planet of the Arabs	Police Beat	Pretty Persuasion
Protocols of Zion	Pura Lengua (All Tongue)	Raw
Recycle	Reefer Madness	Reel Paradise
Ring of Fire: The Emile Griffith Story	Rize	Rock School
Romantico	Room	Rory O'Shea Was Here
Ryan	Saving Face	Saving Jackie
Shake Hands with the Devil: The Journey of Roméo Dallaire	Shakespeare Behind Bars	Shape of the Moon
Small Town Secrets	Snowland	Solo un Cargador
Spelling Bee	Stand by Your Guns	Staring at the Sun
Steal Me	Stranger	Stranger Than Paradise
Strangers with Candy	Stronger	Sugar
Swim Test	Swimmers	Symbiopsychotaxiplasm: Take 2 1/2
Tama Tu	The 3 Rooms of Melancholia	The Act
The Aristocrats	The Ballad of Jack and Rose	The Birthday
The Children of Leningradsky	The Chumscrubber	The Devil and Daniel Johnston
The Dying Gaul	The Education of Shelby Knox	The Fair
The Fall of Fujimori	The Forest for the Trees	The Garden
The Girl from Monday	The Hero	The Jacket
The Joy of Life	The Last Days of Jonathan Perlo	The Last Full Measure
The Liberace of Baghdad	The Matador	The Meaning of Life
The Motel	The Puffy Chair	The Raftman's Razor
The Sailor's Girl	The Salon	The Squid and the Whale
The Talent Given Us	The Upside of Anger	The Youth in Us
This Charming Girl	This Revolution	Three...Extremes
Through My Thick Glasses	Thumbsucker	Tongue Bully
Tony Takitani	Tropic of Cancer	Trudell
Twist of Faith	Un Dia en la Vida	Unconscious
Unknown White Male	Victoria Para Chino	Waiting for the Man
Wall	Wasp	West Bank Story
What Is It?	Who Killed Cock Robin?	Why We Fight
With Diva	Wolf Creek	Yang Ban Xi: The 8 Model Works
¿Con Qué la Lavaré?

As you use our Online Archives, please understand that the information presented from Festivals, Labs, and other activities is taken directly from official publications from each year. While this information is limited and doesn't necessarily represent the full list of participants (e.g. actors and crew), it is the list given to us by the main film/play/project contact at the time, based on the space restrictions of our publications. Each entry in the Online Archives is meant as a historical record of a particular film, play, or project at the time of its involvement with Sundance Institute. For this reason, we can only amend an entry if a name is misspelled, or if the entry does not correctly reflect the original publication. If you have questions or comments, please email [email protected]

2005 Sundance Film Festival